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Compassion for the Drama Triangle
Many of us struggle with difficult relationships at home, at work, or
in our communities.
The Drama Triangle model can help clarify an interpersonal situation when:
- You find yourself thinking that there's no right answer.
- People consistently misinterpret what you're saying.
- It feels like your role is pre-scripted.
- There's a lot of shame and blame.
- The same words and scenes are repeated often.
Dr. Stephen Karpman developed the Drama Triangle as a part of
Transactional Analysis in 1968, and it has been applied and
adapted in many directions since then.
The Model
The Drama Triangle model includes three interlocked roles: Victim, Rescuer,
and Persecutor. As the arrows in the diagram indicate, people can shift roles
at any time. The perceived roles often depend on who is telling the story.
One person can also occupy all three roles, in the case of an internal conflict.
- The Victim passively receives the actions of the Persecutor and Rescuer.
- The Rescuer takes care of the Victim.
- The Persecutor attacks the Victim.
Benefits of the roles
All three roles carry the benefit of maintaining an external focus, instead
of addressing internal pain, needs, and truths. The roles may also be
comfortably familiar, even though the drama itself is uncomfortable.
The Victim benefits by avoiding conflict and responsibility. The Rescuer
can feel needed, and the Persecutor can feel powerful.
Janine is late, again
For example, Janine often comes home late from work. She casts herself as the
Victim, and her boss as the Persecutor. Her partner Antonia
rearranges her own schedule to compensate, as Rescuer. Sometimes Antonia
sees herself as a Victim of Janine's inability to set boundaries with her
boss. When she loses her patience, she yells at Janine about it, shifting
into Persecutor. Janine may shift into Rescuer in response and agree to make
changes, but her resentment will continue to fuel the drama.
Exit the Drama Triangle
The key to interrupting a Drama Triangle is to witness it with compassion
and curiosity.
You can practice on past situations, or even imaginary ones,
since dramas tend to recur over and over.
- A witness brings awareness. Notice how your body
feels when you are embroiled in drama. When you're feeling frustrated or
stuck about an interaction, ask yourself if a Drama Triangle might
be operating, and who is playing which roles.
- Compassion sees that all of the participants are meeting their
needs as best they can with the skills and resources available to them
in the moment. Bring
compassion to yourself most of all, as you look at roles you may have
played, and truths you may have avoided.
- Curiosity opens the door to self-examination and honesty,
as well as listening for others' truths. New information eventually ends
the drama.
Janine gets curious
Janine notices that she feels resentful and trapped
after her latest promise to set limits with her boss. She takes a long solo
walk, and gently inquires into the struggle. She and Antonia have been repeating
the same argument, a clear sign of a Drama Triangle.
Focusing on the
bigger picture rather than recent details, she honors both herself and Antonia
for doing their best. With compassion, she sees Antonia's
"unwarranted attack" (Persecutor role) as part of her ongoing frustration with their schedules.
Janine also brings compassionate curiosity to her own avoidance of
responsibility for
her choices (Victim role). This job is important to her career, and she
notices fear that
Antonia will ridicule her priorities. With this new understanding, she
returns home. Her internal shift will allow the couple to have a different
conversation, even if Antonia continues in a drama role.
Resistance to change
Sometimes, one person's honesty will dissolve a conflict. Other times,
bringing compassion and curiosity to an ongoing drama can be seen as
Persecution by participants who are unready for change.
When a past Victim takes concrete action, or a past Rescuer says, "This
isn't my problem," or a past Persecutor makes genuine amends, they
may receive intense pressure to continue their roles. It can take many
small steps to disengage from a long-standing Drama Triangle.
Drama-free
With time and practice, you'll recognize the signs of drama more quickly
and spend less time entangled in the three roles. Celebrate each time
you become more compassionate and honest with yourself and others, even if
it doesn't lead to a harmonious resolution in every situation.
Learn more
Stephen Karpman's original paper (pdf) and 2007 update (pdf) provide more details and explanation of his model and how it can be applied.
Let me know what you think!
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Free Consultation
For a free phone consultation about whether supportive
bodywork can help you bring compassion to drama, call Sonia at
503-334-6434 or
email today.
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Copyright © 2009 Sonia Connolly
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